Parveen Shakir is among the most precious poets in Urdu literature. Her verse is recognized for its attractive language and deep feelings, particularly focusing on the motif of one-sided love from a woman’s viewpoint.
Born on November 24, 1952, in Karachi, Pakistan, Shakir was not simply a poet yet likewise an instructor and a civil slave. Her poetry collections, such as “Khushbu” (Fragrance), “Sadburg” (Marigold), “Khud Kalami” (Talking to Oneself), and “Inkar” (Rejection), catch the feelings of love, hoping, and suffering.
The Style of Discriminatory Love
Parveen Shakir’s poems often discuss the pain and charm of caring someone who does not enjoy you back. She covers the quiet suffering and the deep yearning that feature unreciprocated love. In her renowned poem “Will certainly To Khushbu Hai” she writes:
“Will certainly to khushbu hai, hawaon mein bikhar jayega
Masla phool ka hai, phool kidhar jayega”
(“He resembles a scent, he will certainly scatter airborne
The problem is of the flower, where will it go”)
These lines reveal the problem of loving someone that is like a fragrance– gorgeous but impossible to hold. The fan, contrasted to a flower, is left questioning what to do with their love.